| David Bithell |
| Biography • | Composition • | Performance • | Research/Writings • | Teaching • | Technology • | sfSound • | Events • | Contact • | Links |
| David Bithell |
| Biography • | Composition • | Performance • | Research/Writings • | Teaching • | Technology • | sfSound • | Events • | Contact • | Links |
| I am
highly
invested in contemporary performance practices and have worked actively
as a contemporary trumpet player, improviser, conductor, and organizer
of new music events in San Diego and the San Francisco Bay Area for the
last ten years. I have premiered several works for trumpet and
live electronics and have organized performances of early experimental
works for this combination. In addition to contemporary classical
music, I have been an active performer of traditional classical music,
free jazz, and free improvisation. |
| Below I have highlighted some recent projects: |
| Mouth-Piece sextet for solo trumpet with slide projection. Composed by Kenneth Gaburo. |
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This work explores the
connections between language and
music in a very direct manner. The phonemes of a poem written by
the
composer are "spoken" through the trumpet in an extremely stylized
manner. Slides
simultaneously project the complex score as well as the poem and
individual words. I have devised a new
realization of the slides utilizing Max/MSP allowing the performer to
control the projections him/herself.
I first
performed this piece in August 2003 on the Kenneth Gaburo retrospective
concert that I organized with bass
player/composer Christopher Williams. Later performed on the
sfSoundSeries February 7th, 2004.
|
| See more images | Listen to me playing this work |
| "...the serpent-snapping eye" for trumpet, piano, percussion and 4-channel electronic sound. |
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Composed by Roger
Reynolds. Performed by Christopher Jones -- piano, Chris Froh
-- percussion, and myself. We first
performed this piece on the sfSoundSeries, January 10th 2004 and
subsequently on the Alea II concert at Stanford
University, February 29th 2004.
|
| Read Roger Reynolds' program notes | Listen to us playing this work |
| Song of Songs
a cantata for soprano, tenor, female chorus, and chamber orchestra. |
 |
Composed by Jorge
Liderman. Performed with the San Francisco Contemporary Music
Players, the UC Berkeley Chamber Chorus, and soloists Elissa Johnston,
Charles Blandy, Catherine Webster, Sara Colbum, Amelia Tirest.
Conducted by David Milnes (Marika Kuzma, chorus director).
The piece was premiered through UC Berkeley's CalPerformances and subsequently released on Bridge Records. |
| Purchase this CD |
Listen to us playing this work |
| No More Much Yes Yes for trumpet and live electronics. |
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Composed by Ali Momeni in
1999. Premiered by Ali (live electronics) and me (trumpet) on the
Berkeley New Music Project in Hertz Hall, UC Berkeley.
The electronics use a combination of live processing and triggering of trumpet samples that Ali and I made. |
| Listen to us playing this work |